The Only Son (1936), 2:44
Late Autumn (1960), 1:51:06
Early Spring (1956), 1:48:06
Equinox Flower (1958), 1:04:06
Late Spring (1949), 1:04:22
I’m fascinated by how frequently Ozu shows a vacant room – even if just for a second – and feel it adds space and interest to the rhythms of his storytelling. I find myself obsessing over the compositions of these shots; not that they’re “complete” without the presence of his actors, but I do see something really beautiful there.
Floating Weeds (1959), 56:02
Tokyo Story (1953), 51:46
The End of Summer (1961), 16:10
There Was a Father (1942), 34:39
